[1] ̿ Ͽ ձ •Orally transmitted) Š - U h -S › ǿŽ, ձ, ɿM / - Š - h ߱ S h ߱ h i M h ձR ſ M i d - h ߱, , Œ S h h ſ d ߱ ߱ ձ ձRɱ ձ ߿ ߱ M > ߱ d& ſ Š ձ ߱ ұ › Uh߱ ‘’ V- ߱ ߱ ߱ c ɱ Ž h › Ž- ձ ձ - Ž, ߱ ߱ զ߱ ձ ձ , 䱿 , @ - ձ Z Ž |™L ߿ ձ| , ’h , h, , ſ J w™L Ž - Ze, ߱ š ߱ , , ߱ ſX ɱ h M , ұ, ձ .......... ձ ұ ձ Uh߱ h ߱ ߱ ߱ Ž, ձ ߱ Š ձ } Ž ߱ S , ™ſX S Ž - ձ S Ž ǿ ձh ﱿ S ձɱR •Spiritual) ߱S M ߱ տ› •motif)- œ ձ y La ߱ q › w™L › Ͽ , ձɱR Ž 䱿 MW ɱ' Ž , š ™MW ߿ 1 |X- M p 2 M-|X ŽS 3 -|X M 4 |X-M- ^ M 1 2 3 - ￩ •Symbosis— 4 ᱿‡ Ž š h š ߱ Š Š& ձ |X Կ† -- |` տ V տ ™L › |X › -ѦԨ •Applied Folkler- --- — ձM - ѦԨ Կ† -- € ѦԨ M y, + † , ›M T ѦԨ La › • ߱ › ձj — ѦԨ ձ Ž- ›™L, M ձR›߱ Ž Š ߱ M › Ž ѦԨ Ž ߱ տ› c ™L Ɀ Š ›‡ ›߱ •natural expression) Š- M ձh -- V c [2] ›™L ›™L 22“23 h •Narrative) & ߿ ձſ - 1 Z ӿh € 2 ߿߱ € 3 Ž € 4 qh ɱ € 5 Ž € 6 DZ 7 x xϿ › Ž B ߱ DZ ӿ š ձ ™L Š Š , Կ† Կ†, Ž ߱ q , S › Կ†/ h M ߱& ߿ B 1882000 , ɱ S •52 — ‘Z ӿh’ q 21102000 ձ q ſ 1882000 ™ : ձ : : ձ ձ 21102000 ™߿ , ſ † ձ{ j ұ ŏ † c ›Կ : ™ ձ , ӿh ›Կ ™L ſX ſM & ɱɱ Ͽ ձɱR ɱɱ •spiritual analysis) ұ Z ձ › ɿM B • S S — Z ձ š • F E R I DZ Folkloristic Education & Research Institure- ɱ › ŽS Ž M = — ɱɱ › ձ › ߱ +™L •interpolation incorporation— •editing) ›S q S߱ •25 — ߱ ұ ‘߿߱ ’ - ձſ B - •— ߿ ձ › ձ߱ 屿 h ձſ ›iœ Ze ձſ š / š q † •‘ձ’— ߱ ұ߱ •‘ձ’— / •‘ձ’— ſh •‘ձ’— ſh ߱ q‘ձ’ ߱ |` ձ € B զ h h ձ ߿ š ձ - The whole concept of a stanza is based on the principle of repetition.. This is particularly striking when verbal as well as metrical parallelism is involved. In some poetic cultures this is developed to a high degree. (Oral Poetry Its nature, significance and social context, Cambridge University Press. Cambridge, 1997, --104 — . ѦԨ › ձ , ѦԨ š š, ұ ‘‘America, the land of plenty, must undoubtably own plenty of folklore. Now, in the era of their world eminence, Americans should proudly unfurl their folk heritage. Hence the folksingers titillating urban audiences in Town Hall and Broadway cabaret, of mammoth treasuries cramming together anecdotal slabs of local color, jocularity, sentiment and nostalgia in the name of folklore, of guided folk dance and folk art revivals, of what in short one critic has called the cult of the folksy. Ironically the love of the folk was strained and trumpeted through the mass media as a patriotic act ..For this contrined, romantic picture of folklore I coined, in 1950, the term Folklore. Folklore falsifies the raw data of folklore by invention, selection, fabrication, and similar refining processes, but for capitalistic gain rather than for totalitarian conquest. (American Folklore, the University of Chicago press, Chicago, Z Ѧ € 1960,3 — ſ š ձ Lš ߱ ձ › Š › ѦԨ ‘‘calculating X -ѦԨ ߱`, ‘‘Self-consicious effort ѦԨ ѦԨ † ‘‘The voice not of the folk but of the mass culture. • € 4 — La › › 7 , 1945 ᱿---ѦԨ ߿ Lš 1956 Ѧ , ˆɱ S™L -ѦԨ ѦԨ 1 Ž ﱿ Ž Կ†-h Ž ձ ߱-h .................. Կ† Ž ߱-h ................... • S, 45 , , ſ S, 40 , ߱ 21.10.2000 q — 2 hB B M Ÿ ................ Ž ձ h Ѧ Ÿ .................... mi ձ տŽ ߱ Ÿ ..................... • S 45 , — 3 › j h › j ձ Ž j 汿 S ۿ ұ Ž ` ߿ ձ Ͽ ߱ ɱ Ͽ q ............... ................ ................ j ձ 汿 ձ ձ ձ 汿 汿 g Ͽ • S, 28 , ߱ — U - / -ѦԨ ߱™L ߿ -ѦԨ [3] ߱ Ž ձ ߿ -/ ձ - ձſ ձ Ž Ze- ™ ›/ &Q - ӿ ›/ ‚ ‘qh h’ --q S • € 45 — / ߿ ›/ ձ, -/ ŽS, ſ ձ ߿ BS, › h ߿ ձ B, 1 ߿߱ q ߿ ߿ qh h S •qh h € S, 45, — 2 •ձ— ߱ ұ߱ •ձ— / •߿߱ € q S, 25 , ߱ — q BS , š š / •‘’ ձ , = — ‘Z ӿh’ -/ ѿM Ž ߏ 1 ߱ X ӿh B ɱ›Iױ ձ ........................ 2 Z B ӿh h ձ߱ ......................... ›iœ , Կ†/ › Ž ‘qh h’ ձ 1 S Ͽ qh q ߱ ɱ ұ q S S ſh •ձ— ſh h ߱ q h h 2 -h S † recurrent motif ձ ߱߱ q ›/ T •ձ— h ߱ h & ɱ q •q S, 25 € ߱ — Կ†/ ձ , ߱ -/ ձ q -/ ſ ձ › q h / { ſ S •1— X q € •2— Ž qh B ſ S ߿ ౿B - - q -- -- -- ձ— ſh Žh ſh •ձ— h- ſh ձ ſh ſh h ſh h ſh h h •— ձ h S ձ ‚ ձ † B ߱ q ձ - , š & ձ -/ ձ B ‘q h ɱ’ ձ ‘ DZ’ Ǧ ɱ f › / › ‘q h ɱ’ / ɿ M f / / ſ S B S ձ ſ š f › ձ ‘ ߱’ / f h ɱ † † Ž /߱ ߱ h ߿ Z ձ f ձy ұ q | ұ f ߱ h Ž ߱ ձ B ձ ߱ ձſ ɱ ‘’ , B --›S ұ ſ € ձ B ‘-’ -/ ձ ձ ߿ ߱ ߱ ɿ ű ձſ Ž ߿ ߱ - DZ ߱ ձ ˩† ˩† ߱ ߱ .. , ߿ -- ߱ / ߱ ɱ .. g ſh ߱ h ձ ſh , ‘ ߱ ұ ’ ߱ ߱ Ǧš ձ DZ S ɱ ߱ ߿ ‘ S ұ ’ ‘ ’ ſ -/ ɿM , , & ߱ , ›g Ž ſM œ ſM O ſ -/ ɿM ߱ -ſ Ͽ † S ձ ™ •Situation) ſ / † B ‘ӿDZ’ -/ B ߱ / › S ŽS Ž ߏ - -- q h ɱ -- -- DZ -- ձy ұ q | ұ f DZ ձy ұ q q h DZ S 汿 h Š ` ձ S •q h ɱ S 52 — ߥ q DZ ձ h h ձ ձ ﱿ ߿ ߿ j ձ S ߱ •qh h S 52 — ߿ ߱ MW ձ , q S ߿߱ ‘ ’- ߿ œ ձ ™Li ձj h ߿ ߿ j h ߱ q S ձ q ſ Կ†/ š ձ} ձ j q : ߿ , ұ q q & d S / ձſ ձ Ž ߱ Ze- = Ž -/ ›߱ - Z ߱ ұ ߱ ` ձ a ߱ : › ձ ››Ÿ , ձ a , ߿ , ձ dŽ / ձ , d - j / h S / ձ™L h A ‘‘The chitrakars or patuas are known to the local Hindus and Muslims as a peculiar community who are neither Muslim nor Hindu as they follow both Muslim and Hindu rites and take food from both communities. (Cultural Oscillation-A study on Patua culture, ›߱ € ߱ € 1980 € 39 — [3] ձ ™ ߱ š , Š (Narration) / † ɿM ӿ߱ ձ, ߿ - - h ձ ձ g authorship &Q authorship ›Ÿ š ŽS › › B š ŽS ձ š ӿ߱ տ߿= ɿM ‘‘ DZ’’ ‘‘q h ɱ’’ - / ձ ձ ߱ S ɿ &Q ձ ŽS --Ž ߿ q U ߱ q S ſ •20 — •25 — ձ •28 — ɱ •18 —, & •35 — •45 — ߿ / / / › ɱ q ‘i’ ‘ ’ ɱ - Z ‘/ ’ •ɱ 7360, ‘ﱿ’, ߱߱— › ɱ ұ - ſ^ +^ ‘/ ’ - • ‘/ ’ € € ߱߱ € 1980 € 360 — ›n Ž ߏ ߱ -/ ›/ U q / ұ U ‘/ ’ ............... ɱ / x, ‘’ s / › ɱ ߱ , -/ ™ , ձ ߿S ߿ › ɱ , œ , Ž, j , , ›Կ , c U ߱ › ɱ ߱ h › ձſ +-Š h › ‘ ձ߱ ձ ’ ‘/ g g ߱’ ›Կ S + / ձſ ձ › ߱ ^ U S ^n Lš ̿ S ^n Lš ̿ ߿ / -ѦԨ h ߿ j ߿ -/ › Š ձ ձ - › h ձſ -& } Š ™ ձ - / ձ ŽS - Š ̿ š •ձ ‘’ - •demythification) ߱ ձ
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