, DZ ›n™, ` ˆ / Н B (Jose Lezama Lima) 19 , 1910 ұ iœ ɱ ձ 1931 ұ › ߱Lš ›߱ ߱ ձ| ߱Lš ߿& |n ›ӿ › h ߱ ›ſ ߿ ߱ ᱿ ›߱ ߱Lš ‘‘ ’’ (Muerte de Narciso) 1937 Death of Narcissus ›߱ Z ߱Lš ‘‘ۿ ’’ (Enemigo rumor) › ›߱ 1945 ұ ߱Lš ‘‘ɱ= ’’ (Aventuras Sigilosos) տ (Origenes) S߱ Ž ›߱ ߱Lš ‘‘ ’’ (La fijeza) 1949 ›߱ ߱ տ S߱ ߱ M S ұ / ſXl Š S ǿ / ߿ , ۿ , ? ᱿ € Š ɱ , DZ߱, E€ ǿ {ɼ / › gQ h տ S߱ f ұ Q ߿ ѦԨ ձj Կ† 1944-56 ™L S߱ h ձ߿ ɱ S ‘DZ’ ‘ S߱ ſ › ձ տ S߱ / › h (Jose Marti) € ™L ұ › S߱ h ܿ M߱ ѦԨ i ձ i › DZ ›߱ ұ ɱ ŠLš ‘‘ '› ձ߱’’ (La expression Americana) 1957 ›߱ ŠLš s † , Ze K l h ѦԨ S & տ ұ Š& › i ſM ›Ÿ ™ 1959 Ʀ M La S q ›Ÿ^† , (Fidel Casttro) Q La › M , › ߿ + DZ y Vl ӿ ›߱ ұ ߱Lš ‘‘=’’ (Dador) 1960 ѦԨ (National Council of Culture, Cuba) ›߱ " ߱ 1961 Š (National Union of Cuban Writers and Artists) DZ ߿ j † ұ ߱Lš& (Folklore) ɱ ܿ › ߱ ձ ɱ xM Liberation theology - › ɱ ™ i ߱ x 1949 ߿ ߿ ›߱ ‘‘ ’’ ߱Lš ߱Lš › '߱ " (Octavio Paz) ɱ ձ߱ New Avant-garde ߱ DZ Ž i › + Eros relacionald Relatable Eros ձɱ Ͽ j տ &Q Martin Heideggers ‹ ձ ™L › - "The linguistic foundation of beings, in this poetic operation the verbal act is given back its primitive naming power, through which things substantiatize before us, during the very happening of the poem." ձ߿ { ߱ ұ ߱ ˦ ›T ձ . . ۿ, ɱ ߱MW ™L q ߱Lš& +MW (Morphology) ߱MW (Poeties) &Q ‘‘ ’’ •1959— ‘‘’’ •1060— › Ž 1966 ұ › ɱ ‘‘ɱ’’ (Paradiso) ›߱ ›߱ ɱ ӿ Կ ɱ h ձ™LDZ ɱ ‘‘ɱ’’ ߱M ߱ š ߿ A Z A ߿ (Jose Cemi) M™L ŠM, ձ› , › w™L Ժ S ɱ † (Myth), ˆ ɱ ˦ ›߿ DZ ›n™ ɱ › •1966 — ſ ߱DZ (Julio Cortazar) ɱ ߿ ›g – ''Lezame is not only hermetic in the literal sense..... for which reason the best of his work proposes the seizure of essensces by way of the Mythical and esotemic in all of their historic, Psychic, and literary forms, vertiginously combined within a poetic system....... but he is also hermetic in a formal sense, as much because of the Candour which makes him believe that the most heteroclitic of his metaphorical series will be perpectly understood by everyone, as because of the fact that his form of expression is of baroque style of an original nature." S ɱ , ɱ ›߱ / / q ɱ ߱ ߱ ߱ › › ߱ ұ Ireleman Chiampi – "Paradiso is the dramatization of the image theory, in which the process of 'Progressive apprechension of the essence if incarnated in the action of a novel. But the novel is also includes a theory ofCuban Culture. /߱ -ѦԨ S տ ɱ 1970 ‘‘ ߱ ’’ (La Cantidad hedicada) ߿ ›gLš ›߱ 1977 ›߱ ‘‘ݿm ߱’’ (oppiano Licario) ߿ ɱ ɱ ›߱ ұ S ‘‘ɱDZ 1937-76’’ (Cartas : 1937-76) 1979 ›߱ ɿM S a ұ ŠM ߱ տ › S ߱ ձ ɿM ™ ձX
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